MAKE & MAKE

niallmcclelland:

Dieter Roth / Björn Roth
The Floor I (Studio-floor from Mosfellsbaer, Iceland), 1973—1992

(via niallmcclelland-deactivated2014)

— 5 years ago with 16 notes

an-itinerant-poet:

Wolfgang Tillmans, End Of A Winter, 2005.

— 5 years ago with 32 notes

jflauda:

Jean-François Lauda, Pimps and fishmongers 3, 2012.

Jean-François Lauda, Pimps and fishmongers 3, 2012.

(via jflauda-deactivated20180314)

— 5 years ago with 111 notes

#jflauda #canadian painting

jflauda:

Jean-François Lauda, Pimps and fishmongers 21, 2013, 12x15in, oil on canvas.

Jean-François Lauda, Pimps and fishmongers 21, 2013, 12x15in, oil on canvas

(via jflauda-deactivated20180314)

— 5 years ago with 588 notes

#jflauda #canadian painting

cinoh:

Tammi Campbell.
Opaque blocks of paint & ~~masking tape~~ trompe l'oeil masking tape in Tammi Campbell’s ‘Works in Progress’. Super nice!

(via cinoh-deactivated20180826)

— 5 years ago with 40 notes

#Tammi Campbell #Contemporary Painting #Trompe loeil

cinoh:

Tammi Campbell.
Opaque blocks of paint & ~~masking tape~~ trompe l'oeil masking tape in Tammi Campbells ‘Works in Progress’. Super nice!

(via cinoh-deactivated20180826)

— 5 years ago with 3 notes

patrickt:

I recreated Piet Mondrian’s Trafalgar Square in Excel. Check out the original here.

— 5 years ago with 9047 notes

arpeggia:

Frank Stella’s black paintings

(via abbymartell)

— 5 years ago with 848 notes

nobodysdiary:

R.H. Quaytman, Light Industry, (2007 – 2012). (Courtesy Light Industry). Congrats to Light Industry, would have paid $106k if I had it laying around.

(via attentives)

— 6 years ago with 486 notes

likeafieldmouse:

Joseph Beuys - I Like America and America Likes Me (1974)
“A master of compelling performance pieces, Beuys flew to New York, picked up by an ambulance, and, swathed in felt, was transported to a room in the Rene Block Gallery. The room was also occupied by a wild coyote, and for a period of 8 hours a day for the next three days, Beuys spent his time with the coyote in the small room, with little more than a felt blanket and a pile of straw.
While in the room, the artist engaged in symbolist gestures, such as striking a triangle and tossing his gloves to the coyote.
At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.”

(via sevenknotwind)

— 6 years ago with 5148 notes